(2016-17) Cinema Studies

Paper Code: 
JMC-144 H
Credits: 
4
Contact Hours: 
60.00
Max. Marks: 
100.00
Objective: 

This course will enable students to:
• understand and know the principles, forms and process of cinema as a discipline.

• know the various theories of cinema studies

• relate various technologies and  their development.

Film History- Birth of Film, Silent Film, Hollywood, Neorealism and After, Third World Cinema, The Post Modern Era.

 

Film Theories- Apparatus Theory, Auteur Theory, Feminist Theory, Psychoanalytical Theory, Montage Theory and Mise-en-Scene..

 

Film Technology- Art and Technology, The lens and Camera, Film Stock, Sound Technology and Post production.

 

The Language of Film– Signs and Syntax, Images and Signs in Indian Cinema.

 

Great Indian Directors- Satyajit Ray, Mrinal Sen, Bimal Roy, Guru Dutt and Raj Kapoor.

 

References: 

Adorno, Theodore. The Culture Industry. London and New York: Routledge, 1991.

Appadurai, Arjun. Modernity at Large: The Cultural Dimension of Globalization. Minneapolis, London: University of Minnesota Press, 1996.
Canclini, Nestor Garcia. Consumers: Globalization & Multicultural Conflict. Minneapolis & London: University of Minnesota Press, 2001.

Chatterji, Partha. The Nation and its Fragments: Colonial and Post Colonial Histories. Princeton: Princeton University Press, 1993.

Foster, Hal. Ed. The Anti-Aesthetic. Seattle, Washington: Bay Press, 1983.

Foucault, Michel. The Foucault Reader, ed. P Rabinow. Harmondsworth: 1984.

Hebdige, Dick. Subculture: The Meaning of Style. London and New York: Methuen, 1979.

Horkheimer, Max and Theodor W. Adorno. Dialectic of Enlightenment: Cultural Memory in the Present.. New York: Continuum, 1988.

Huyssen, Andreas. After the Great Divide. Bloomington: Indiana University Press, 1986.

Jameson, Fredric. The Cultural Turn: Selected Writings on the Postmodern. 1983-1998. London & New York: Verso, 1998.

Monaco, James.How To Read A Film- Movies Media and Beyond.Oxford University Press: New York. 2009.

Morley, David and Kuan-Hsing Chen. Eds. Stuart Hall: Critical Dialogues in Cultural Studies. London & New York : Routledge, 1996.

Nandy, Ashis. The Intimate Enemy: Loss and Recovery of Self Under Colonialism. Bombay, Calcutta, Madras: Oxford University Press,1983.

Storey, John. Ed. What is Cultural Studies? A Reader. London, New York: Arnold, 1996.

Bazin, Andre. What is Cinema? Vols 1 & 2. Berkeley & London : University of California Press, 1967, 1971.

Bordwell, David and Kristin Thompson. Film Art: An Introduction, Fourth Edition. New York et al : McGraw Hill, Inc., 1993.

Eric Barnow & S. Krishnaswamy. Indian Film. New York, Oxford, Delhi: Oxford University Press: 1980.
 

 

Academic Year: